Little Shop is a 1991 kids cartoon adaptation of Little Shop of Horrors (legally, the original 60s movie
which was public domain by that point, but referencing the musical and 80s movie whenever they could get
away with it) that was aired on Fox Kids and La Cinq (a now defunct French television network) and
co-produced by Marvel Productions and Saban Entertainment. It ran for a single season of 13 episodes,
each 30 minutes long, and until fairly recently, was almost entirely lost media. The full show was only
found and uploaded to Youtube in 2017, with the exception of one episode, which had not been found with
its original English audio and had only been found dubbed into German. It wasn't until 2023 that the
English episode was found and released.
The show couldn't by any means be described as *good* by any sort of technical standard (low budget
animation, cliche plots, strange writing), but I find the show absolutely fascinating and really enjoy
it because the worldbuilding is truly bizarre. I consider it an entirely separate universe and story to
any of the other adaptations in the franchise, because the changes to the characters made in order to
adapt them to a kids cartoon are fairly drastic. It compels me.
SEYMOUR
13 years old and not an orphan. Lives with his mom, who is some kind
of health nut, and who only briefly appears a couple times because she seems to not pay that
much attention to him. Is a wimpy little nerd with a hopeless crush on Audrey, and works at her
family's flower shop after school; seems to spend very little time at his actual home. Is the
only person who knows Junior is sentient.
JUNIOR
Short for Audrey Junior like in the 60s movie, but goes by Junior. Is
not an alien in this adaptation; he is actually a prehistoric plant revived from suspended
animation
in a fossilized seed found by Seymour at the bottom of a landfill. Significantly more benevolent
than his other incarnations and is somewhat of a big brother figure to Seymour, even though he's
often rude and abrasive. Is a rapper. Lives at the shop and makes the flowers grow.
AUDREY
Also 13, and is Mr. Mushnik's daughter. Is completely oblivious to Seymour's crush on her,
and is extremely fixated on a different hyper-specific career each episode. Comes off as clearly
autistic in regards to this, even though that's probably not what the writers' intention was.
MR. MUSHNIK
Owner of the flower shop, Audrey's father, and Seymour's boss. Often grumpy, but never
maliciously so. Was originally going to fire Seymour for being bad at his job until Junior
started making the flowers grow, so Seymour has a vested interest in keeping Junior happy to
also keep
his boss happy. Is a single father; a throwaway line in one episode states that his wife just
randomly left one day.
PAINE DRILLER
Stock bully character who is half of this adaptation's split of Orin into him and his
father Dr. Driller (side character, a dentist). Has bulky orthodontic headgear courtesy of his
father. Likes bullying Seymour at school and also has a crush on Audrey.
My favorite aspect of this show is that the broad scope worldbuilding is absolutely batshit insane.
Junior is a reanimated prehistoric plant, and the show invents an entire period of the fossil record
called the "Vegezoic Era" that took place right before the Mesozoic Era, during which the dominant life
on Earth was ambulatory, thinking, predatory plants, and the early ancestors of the dinosaurs were often
prey items for them. This is presented in a natural history museum that Seymour goes to as an
incontrovertible fact about the world of this show that is common scientific knowledge. The show brings
up the fact that Junior is the last of his kind, thrust into a future that is confusing and frightening
to him, and cannot return to his home that no longer exists and he is intensely homesick for. He also
legitimately does not understand that plants are no longer sentient other than him and reacts very
strongly to perceived mistreatment and injustices against plants as if they are thinking beings. He has
a capacity for romance and in one episode falls in love with a regular Venus flytrap. At one point he
makes a passing comment to Seymour implying that he considers being a man and being a plant to be
mutually exclusive. The fact that the show is so consistent about his
primary character motivation being homesickness for a world long gone is something I find extremely
compelling. The relationship between him and Seymour is also something I really like. Although Junior
can be aloof, bossy, and abrasive, he shows when it counts that he really does care for Seymour, and
acts like a kind of big brother or mentor figure. The one time in the show where Junior is implied to
eat a person is when a man tries to kill Seymour by dropping a piano on him. Junior, deep down, is
kindhearted.
The last two episodes of the show have surprisingly emotional plotlines; one of them is about
deforestation and environmentalism and the other is about Mr. Mushnik remarrying and Audrey struggling
with feeling like she's being replaced as her dad's most important person. I understand why the show was
cancelled (it just wasn't good or popular), but these episodes in particular make me long for what could
have been if they had gotten more time to write the show and found a groove with it.
The show was initially pitched to the network in April 1991, with a
pitch bible credited to Mark
Edward
Edens. The pitch bible has a few notable differences from the version of the show that actually ended up
being produced. Seymour is described as having a father who is a mortician, who never appears in the
final version, a side character named DeeDee who is an annoying 6 year old Seymour is forced to babysit
is described who never appears, and Junior is depicted as somewhat more sinister in motivation (he wants
plants to take the world back over, and eats more people). The concluding page of the pitch bible had
this to say:

Well, I'll give it to them, the show is definitely unique, funny, and odd. Probably not in the ways they
were intending, but true nonetheless.
Roger Corman, the director of the original 60s movie, was brought onto the show as a creative
consultant. The show references the movie with some regularity (Junior's full name, the background
character guy who eats flowers, Junior's ability to suggest people with "seeds of ideas", etc). Mel
Welles, who played Mr. Mushnik in the movie, expressed in an
interview
published in "Welcome To The
Little Shop Of Horrors" issue 3 (1995) by Cosmic Comics that he was disappointed that he was unable to
reprise the role in the show, because he had voiced characters in other Saban productions, but all the
voice acting for the show was outsourced to Canada.

There is really not a lot of information readily available about this show's production, because none of
its IP holders have ever actually claimed it or acknowledged its existence past its initial airing. Some
of the voice actors credited for the show have seemingly no other voice acting roles and no information
about them online. For instance, Junior's singing and rapping is credited to Terry "Proffet" McGee, who
has absolutely zero information about him online except in the credits of this show. There is, however,
someone in the comments of a few of the Youtube uploads claiming that he's their uncle. I have no idea
if this is true or how to contact that commenter to verify. Here's what they said, though:
I've also found an art dealer that is selling production cels from the show. If anyone wants a cel of
Junior making a weird face for ~$60, you can get one
here.